BIG MAN. LITTLE MAN. - The Other Palace 2026

 

• ​4* Review (First Night Magazine): If there’s a beacon of hope in the current London scene, part of it comes from Jordan Langford and his brilliance as a director. Langford does an excellent job of leveraging the script’s possibilities and enhancing them through his impeccable understanding of pacing and blocking. Accordingly, the performance flows seamlessly while brimming with dynamism, versatility, and, above all, theatricality.

​

• 4* Review (Curtain Call Reviews): Jordan Langford directs with precision, breath-taking realism and a wonderfully subtle touch. There is no unnecessary embellishment here; instead, Langford allows the performances, relationships and silences to do the heavy lifting. The result is theatre that feels immediate and lived in, never losing sight of the humanity at its centre.

​

​

THE PLEASURES OF FANNY - Brick Lane Music Hall 2026

 

• ​4* Review (Flickr Magazine): Langford doesn't bother with a lot of scene changes, instead letting the transitions happen right in front of the audience. He trusts that the viewers can keep up with the chaos as the story jumps back and forth between what's happening onstage and the drama that's going on backstage. This approach pays off.

​

​

JACK AND HIS GIANT STALK - Brick Lane Music Hall 2026

 

• 5* Review (London Theatre Reviews): The look of the show is spot on, too, with Jordan Langford's choreography making great use of the stage. lf the choreography is done well, it can embrace the intimacy to create the adventure. It not only did that, but added a creativity that you don’t see very often in smaller-scale productions. Thinking outside the box and keeping things simple.

​

• 5* Review (All That Dazzles):The choreography by Brick Lane Music Hall’s creative producer Jordan Langford utilises the restrictions of the smaller stage extremely well, and his slick moves make the Musical Theatre songs pop and sparkle with camp delight.​​

​

 

FLUTTER-BYE - Ironworks Studios 2025

 

• 4* Review (Sounds and Stage): Langford's bold and impressive staging keeps the audience engaged from start to finish, enhanced by sharp sound and visual design by Anthony Martin that clearly delineate shifts in time and place. The clarity of Ferns’ performance is a testament to the depth of work that must have taken place in the rehearsal room. 

​​

​

SLEEPING BEAUTY - Brighton Metropole 2024

​

• 5* Review (Latest TV Brighton): Thank goodness that director Jordan Langford and choreographer Jack Pallister are on hand to take the classic, gag filled and locally topical script forward with aplomb. As teams go this one is pretty dreamy for sure. Between them they work the magic that is essential in bringing a fun seasonal and traditional entertainment together.​

​

• 4* Review (Sounds and Stage): ... director Jordan Langford ensures the production bursts with humour and dynamic energy. The show has real pace and is packed with well staged, traditional pantomime routines that had the audience in fits of laughter.​

​

​Jordan's production of Christopher York's BUILD A ROCKET (GMFringe Award Nominee) recently completed a UK Tour and a run at the Edinburgh Fringe Festival.

​

BUILD A ROCKET - UK Tour and Edinburgh Fringe 2023

​

• 5* Review (Lost In Theatreland): Detail is what drives this show. Christopher York’s text is refined and Jordan Langford’s direction and design, along with Ernest Acquah’s sound design, elevates this into a slick and powerful production. Rewcroft moves around the space with intention and there is a reason behind every movement. The integration of singing, music, props, and lighting, all serve a purpose.. Build a Rocket shoots for the stars and soars even further. A truly creative, witty, hilarious, poetic, and emotive production with music and audience participation. This production is the definition of theatre that makes you think and feel. 

​

• 4.5* Review (First Night Magazine): Jordan Langford’s clever directing draws out the story through a varied and suggestive approach, generating enveloping ambiance despite an almost complete absence of stage elements. With obvious care put into the show’s overall rhythm, it is astutely boosted through its stimulating blocking, added short live singing snippets and implied interactions with the viewers.

​​​​​

​------------------------------------ 

​

For further enquiries, please contact daniel@leodistalent.com